DEVELOPMENT OF THE TRADITION ZULLISONAIN IN MODERN TAJIK POETRY

Abstract

In Persian-Tajik literary criticism, the term “zullisonain” is used for poetry created in two languages. The relevance of the study is due to its connection with the development of this literary tradition in the work of modern Tajik poets of Uzbek. Currently, the poetic technique “zullisonain” of poems by bilingual poets makes a significant contribution to strengthening literary ties and the development of Tajik literature in modern Uzbekistan. The purpose of the study is to identify the significance of the work of Tajik poets in the development of the “zullisonain” technique as a literary phenomenon that developed back in the Middle Ages and has survived to this day, which is a symbol of literary friendship. An analysis of the actual material showed that the tradition of “zullisonain” is actively developing in the work of bilingual poets who write poems in Persian-Tajik and Uzbek languages, especially after the independence of the republic. “Zullisonain”, as an indicator of the traditions of national literature, is a symbol of the literary and cultural friendship of the Tajik and Uzbek peoples living in harmony on earth, and an indicator of the creative enrichment of both peoples, which is reflected in such phenomena of modern literature as literary bilingualism, poetic language personality.