THE ROLE OF THE VOICE DIRECTOR IN UZBEK MULTIPLICATION

Abstract

This article discusses the history of sound in animation, the features of Uzbek animation produced before independence, the process of sound resolution and development, as well as the stages of progressive development of Uzbek animation from independence to the present, the difficulties encountered in their implementation and the shortcomings are explained in a clear and detailed manner based on the facts. In addition, the role of the sound director in the Uzbek cartoon was compared yesterday and today, and the necessary conclusions were drawn.