SYNTHESIS OF WORDS, IDEAS AND INTERPRETATION IN MODERN UZBEK POETRY

Abstract

The article discusses the principles of renewal in modern Uzbek poetry, the essence of the literary process, the role of words, ideas and interpretation in determining the specificity of the creative worldview, methods of combining emotional expression and image, as well as the national style The presentation is analyzed. In it the works of Bahrom Ruzimuhammad, Aziz Said, Gulom Mirzo, Nosirjon Juraev, Behzod Fazliddin, Alisher Nazar show the gradual development of Uzbek poetry of the new period, the aesthetic ideal of artistic discourse, the skill of individualization of emotional perception and philosophical depth. It is observed that the ability to sneeze. The subject of the lyrical image is in fact based on the diversity of creative worldviews and artistic concepts, inherently ideological and aesthetic views are centered on the synthesis of the social environment and the artistic reality created by the poet. In the continuous process, the poet focuses on the illusion of the use of metaphors, the ability to expand the possibilities of the image, and artistic skill.